Posts Tagged ‘badvertising’
Over the last number of years, there’s been a great deal of discussion about disclosure in social media. In fact, the US Federal Trade Commission has had disclosure guidelines since 2000, and revised them just last year. Unfortunately, Canada hasn’t provided people working in social media with such guidelines. The federal organization responsible is the Competition Bureau, and there’s nothing directly addressing this issue yet. The Privacy Commissioner and Industry Canada also have fingers in the disclosure pie, but at this point, anyone in Canada could write about anything for pay and never tell you a thing.
Lots of bloggers I know do disclose, and many quite clearly. For example, Amy Boughner often has blog posts with disclosures like: “Disclosure: I received the OgoSport Ballooza pack from PlaSmart for this review. All opinions are my own.”
But two things I ran across by chance recently reminded me that disclosure is important no matter whether you’re a blogger getting a free set of headphones or an organization carrying out an advocacy campaign.
The first was a book excerpt in Maclean’s magazine titled “An outlaw’s vision for the Canadian Museum for Human Rights.” The excerpt from an upcoming book on the museum by renowned non-fiction author Peter C. Newman and his longtime collaborator Allan Levine profiles the museum’s architect, Antoine Predock, by all accounts quite a character and a much-celebrated architect.
Because I’m a geek, I noted that the book was to be published by a company I hadn’t heard of before — Figure 1 Publishing. So I googled ‘em. Nice site, principal employees with serious publishing chops. But … a 2013 Vancouver Sun article profiling the company after its founding says:
“Figure 1 is operating under a different business model than a traditional publisher. Authors or organizations will pay the costs of production themselves and Figure 1 Publishing will look after editing, design, distribution, sales and marketing of the books they publish. Sales revenues will go to both Figure 1 and the author or organization, Nadeau said, adding the model is a hybrid between trade publishing and vanity publishing.”
So… who paid for the book? Who paid the authors? The printers?
I don’t know, because despite contacting Figure 1 several days ago, I haven’t yet received a response.
Also today I got pointed to an Upworthy video titled “No One Applauds This Woman Because They’re Too Creeped Out At Themselves To Put Their Hands Together.” The video is titled “The Secrets of Food Marketing,” and it’s a TED-style talk delivered by marketing consultant Kate Cooper. Well, actually that should be “Kate Cooper.” Because it’s actually actor Kate Miles playing a woman named Kate Cooper. And there’s no such thing as the TED-style “E-talks.” Well, there are several things called etalks, but this talk isn’t part of any series.
The following text appears if you scroll down below the video: “Original video by Catsnake Film. Full disclosure: The speaker in this video is actually an actress named Kate Miles, but the facts about produce and its marketing are 100% real. The audience is also real, and thus the looks of disgust are totally real too.” And then if you go to the Catsnake Film website, it explains further that the video was made on behalf of an organization called Compassion in World Farming.
I contacted both the film company and Compassion in World Farming to talk about the video. Catsnake Film wouldn’t comment unless I allowed them to vet this blog post. I don’t do that, so I have no comment from them. I sent questions to Compassion in World Farming by email on August 12, but haven’t heard from them yet.
There really aren’t any social-media equivalents to the communications professional associations like IABC or PRSA, which both identify a lack of disclosure as unethical in their codes of ethics. And it’s surprising to me that there is no mention of ethics at all on the website of the Association of Canadian Publishers.
In the unlikely event that anybody will offer me some sort of goodies, I’ll be sure to disclose it here. I don’t believe in not disclosing those things, and I want to know what might be influencing the way a piece of content — whether text, video, or whatever — was created.
And whether it’s a book, a blog, or a viral video, we all deserve to know just who was paying the piper.
Disclosure: A particular thanks to the folks at CIPPIC, an Ottawa organization that does superb work on Internet policy and advocacy, for their help in researching this post.
When I used to do media relations for a university, I was — all modesty aside — pretty good with a news hook. When there was a disease outbreak, a political crisis, or whatever, I could find an expert in our faculty and get that person in front of microphones pretty darn quickly. I remember the big power outage in 2003. I got a call from a radio program doing crisis coverage asking if I had any experts in history of society before electricity. As it happened, I knew a great social historian who was both expert in that period of history and a good interview. I told the producer “Give me a minute”, hung up, found the prof’s home phone (everything was shut down), called him, and within 10 minutes, he was on live national radio talking about the changes that widespread electrification brought to Canadian society and what this power outage could teach us.
But there’s a material difference between finding a news hook and newsjacking. Newsjacking is an attempt by an organization to exploit an event for its own purposes. This can be done well. For example, when there was a power outage at the Super Bowl, Oreo had a spectacularly successful tweet out in mere minutes:
But that’s a best-case scenario.
- A fashion house sending out a release and photos showing actor Amy Adams with one of its handbags. The photo was taken at Philip Seymour Hoffman’s funeral service.
- Another fashion retailer using the unrest in Syria to create a “boots on the ground” themed tweet. (Two of three examples from this blog.)
Or, just this morning:
- A PR company suggesting that the death of Robin Williams was an opportunity to talk about identity theft and pitching their client as an interview.
I guess it needs to be said. This is wrong. It’s tacky and tasteless and gross. So I’m going to suggest we do a couple of things.
- If you receive this sort of messaging, don’t use it. Don’t make it successful. Contact the company and tell them how offensive their action is. Tell them this will cause the opposite of their desired goal (whether that’s sales, media attention, or whatever). Don’t share their content. Don’t give it a life that it doesn’t deserve.
- If your company is being told it should do this, be very cautious. If the idea is related to some sort of tragic event, it’s almost impossible to think of a good reason to do it. Run it past some people not connected to the idea. See if it seems tacky or opportunistic. Err on the side of caution.
Communicators — we can be better than this. Please don’t do this.